Yo, self. Listen up.
Whatever the activity, if you want to get better at doing it, you have to make time regularly and do the thing. This applies to everything from cooking and archery to maille, writing, and art. I hear it applies to golf, but that shit still looks like equal parts luck and magic to me.
I hate making time. Unless your passion is a team sport, it can be a pretty solo act. Making time means being surrounded by social creatures who want a share of your time and saying “Sorry, I need to be alone right now to Do The Thing.” It’s giving up other activities because the thing you want to get better at requires more than an hour of your time.
Making time also requires that you get used to sucking on a regular basis. We don’t practice to remind ourselves that we’re brilliant at it. We practice because our failures are part of how we try new approaches, test theories, and perfect our craft. So great, on top of telling your significant other that you’ll be going to your studio at least three hours a week to paint, you have no guarantees that you’ll produce anything of quality in those hours. In fact, it’s highly likely that you won’t.
But you have to do it.
Not Doing The Thing will leave you at a point of stagnation. As a piano student of nine years, I’ve got a bitter shot of truth for you: there’s no guarantee your studio hours this week will make you ‘better.’ At least not in the quantifiable, justifying-this-to-my-spouse kind of way. But if you don’t go at all, the odds of improvement went to nil.
And if you do go, this week, next week, the week after and beyond – you absolutely will get better.
I Should…
- Not blame others when I don’t Do The Thing.
Your significant other, your children, your pets are not responsible for you Doing The Thing. They aren’t responsible for getting out of your way or facilitating your space. If you didn’t Do The Thing today, it’s not their fault – don’t take it out on them. - Start small.
If you’re struggling to carve out that hour, try fifteen minutes instead. Hell, try five. Make sure you figure in your travel time, if you have to go somewhere else to practice. If you can fit in this much time, add another five, ten, fifteen minutes. If that works, add more. If not, do what you can. Feel accomplished for the work that you did do. - Set a pattern and keep it.
Do The Thing at as regular a time as you can. This will help your creativity to come when you whistle, but it also gives you a set time to mark as ‘yours,’ and schedule around. - Learn how to say no.
Time is the sacrifice you make for your passion. That may mean you can’t see the movie on premier night, can’t do that day trip this weekend, or have to say no to an impromptu drink with friends. Ultimately, the decision to say no is about your commitment to your craft. Remind yourself that you don’t need to feel guilty about occasionally saying no. - Manage my time better.
Unless you’ve wrestled that Time Turner away from Hermione Granger, there’s no way to magically add time to your day. You have a job, familial obligations, self care requirements to fulfill. Those things you may not have any control over. But when you have free time, manage it wisely. Sometimes, you’re going to walk six blocks chasing Pokemon. You totally should, it’s fun! But consider how much time you spend checking social media accounts. How many hours you blow feeding your herd of digital horses. How much time can you invest somewhere else? - Learn how to say yes.
When you’re not Doing The Thing, then commit 100% to Not Doing The Thing. It’s okay to binge three episodes of Buffy The Vampire Slayer. It’s okay to spend two hours playing Alpha Bear or Bubble Shooter. It’s okay to have dinner with your aunt, bake cookies with your spouse, go see a movie and not Do The Thing. Guilt and anxiety about not Doing The Thing will keep you from relaxing and fully enjoying what you’re doing. Remind yourself that you need downtime. You’ll come back fresh to Do The Thing another time. - Practice ‘smart,’ not ‘hard.’
An old adage from my piano teacher. Much of learning music can be simplified into recognizing patterns and chord structures, rather than reading every note on the staff. Once I understood the patterns, I could often intuit where the harmony would go next. What constitutes ‘smart’ practice is different for every discipline, but boils down to this: develop good habits that work for you. Read up on how folks in your discipline hone the craft. Figure out what learning style you connect with the most. What slows you down when you sit down to practice? Can you approach that another way?
Good luck, buddy. We’re in this together. I know you can do it.